Date Showing Showing On 23, 25, 26 May
Time Showing Monday 6pm, Wednesday 4pm and Thursday 6pm


M 1hrs 45mins
comedy | 2021, USA | English

An aging hairdresser escapes his nursing home to embark on an odyssey across his small town to style a dead woman's hair for her funeral, rediscovering his sparkle along the way.


Sexual References and Coarse Language

Todd Stephens
Original Review
Paul Heath, SXSW Film Festival
Extracted By
Janez Zagoda
Udo Kier; Jennifer Coolidge; Linda Evans

Watch The Trailer

Swan Song Trailer #1 (2021) | Movieclips Indie

Storyline (warning: spoilers)

From writer and director Todd Stephens comes this remarkable and wonderfully staged story of Pat Pitsenbarger (Udo Keir), an elderly former hairdresser and nursing home resident who embarks on one last adventure after being offered the opportunity to groom the hair of a late former customer in his old hometown.
Mr Pat, a larger-than-life character, who spends his remaining days in his nursing home secretly smoking More cigarettes, stealing paper, and folding hundreds of them one by one before throwing them into his drawers in his bedroom. Pat has received word that an old client, Rita Parker Sloan (Linda Evans), has sadly died and handed him a $25,000 provision in her will if he will return to his hometown of Sandusky, Ohio to do her hair and make-up in her open casket. It is initially evident that there’s not too much love lost between him and his former customer.
The film charts that journey and is a complete joy to watch from start to finish. You kind of know where things are going – the film’s title gives a massive hint on its own – but there’s so much that happens along the way it is so hard not to go with it. Pat takes a journey down memory lane, hitting junctions that he may want to revisit; for example, a gravestone gracing his name alongside his partner who departed some decades previous, a particularly heartfelt and emotional moment. The rest of the film is a little more upbeat, the flamboyant character of Pat shining through as the film progresses, complete with cravats and bright suits, wonderful headwear, and dripping, dazzling costume jewellery.
While the screenplay is top-notch and the direction on point, there’s no doubt that this is very much Keir’s film and he plays the role of Pat with such devilish, delicious charm, but also with empathy and raw emotion. While the film could have painted a plodding journey of a man living out his final days, this is quite the opposite. A fabulous, vibrant celebration looking back at life, a dazzling sequin-filled, crystal chandelier-topped showstopper.
Original review:

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